Krush would later learn how to give his productions voice, but with Strictly Turntablized he built the foundation for trip-hop to come. A few other tracks were solid examples of instrumental hip-hop, but several others sounded in dire need of vocals to break them up. "Fucked-Up Pendulum" was interesting as well, earning its title with an offbeat (literally) sample that was more musique concrète than hip-hop. For six months DVAX trades around the 10 area and then breaks out for a. "Kemuri" paved the way with a break to make Premier himself proud, and just enough scratching to preserve the vibes. On the far left hand side of the chart is a sideways pattern around 4 followed by a breakout and rally to the 10 area. Poised halfway between a late-night downbeat record and a nearly anonymous beats-and-breaks volume, Strictly Turntablized was one of the first trip-hop records out of the gate, but the subtitle says it better than any review could: "Excursions into the hip-hop avant-garde." DJ Krush's productions were deeper than Cam's and darker than Shadow's, and if they seldom averaged more than one or two ideas per track, most of them made up for it with a heavy dose of atmospheric menace.
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